Top 25 Albums of 2008
12.29.2008
25. A Skylit Drive - Wires and the Concept of Breathing
24. Afterglow Radio - Find Yourself Again
23. Lykke Li - Youth Novels
22. Hot Chip - Made in the Dark
21. The Dodos - The Visiter
20. Coldplay - Viva la Vida
19. The Streets - Everything is Borrowed
18. TV on the Radio - Dear Science,
17. The Tallest Man on Earth - Shallow Grave
16. Sun Kil Moon - April
15. Lil Wayne - Tha Carter III
14. Kings of Leon - Only By the Night
13. Ray LaMontagne - Gossip in the Grain
12. Of Montreal - Skeletal Lamping
11. Mugison - Mugiboogie
10. Liam Finn - I'll Be Lightning
09. Girl Talk - Feed the Animals
08. Sigur Ros - Med Sud I Eyrum Vid Spilum Endalaust
07. Fleet Foxes - Fleet Foxes
06. Santogold - Santogold
05. My Morning Jacket - Evil Urges
04. MGMT - Oracular Spectacular
03. Bon Iver - For Emma, Forever Ago
02. Vampire Weekend - Vampire Weekend
01. Adele - 19
Posted byLogan Lenz at 11:12 1 comments
Labels: 25 days of music, album, best albums of 2008
#1: Adele - 19
12.25.2008
Hopefully this "big reveal" doesn't come as too much of a surprise to you. Adele, the nineteen year-old British superstar, has gallivanted throughout mainstream media this year - causing a stir, but not a major reputation. For me, her debut album 19, is flawless and filled with utter perfection. The thought of this album being overlooked as one of the best has left me flummoxed. Did these critics skip this album?
I kid you not, Adele is THE BEST female singer around today. It's a shame that imports like Duffy and Americans like Katy Perry got the recognition this year, when Adele has the talent and the material to take over the nation.
One listen to "Daydreamer" will make you realize her talent. Onward to "Chasing Pavements" and "Cold Shoulder," you will begin to wonder why these singles never reached pop radio. While these songs did get some airplay, they never became glorified "hits." This is very strange to me.
I could go on and on. Compared to 2007, Adele's 19 trumps every release of the last two years. I believe she has a little bit of something for everybody, but overall offers a natural "unpolished" talent that is hard to find these days. Not to mention the fact that she is only 19 years old. Watch out for Adele and check out this album to listen to the best music of the year.
Posted byLogan Lenz at 04:21 0 comments
Labels: 19, 25 days of music, adele, album, best albums of 2008
#2: Vampire Weekend - Vampire Weekend
12.24.2008
#2: Vampire Weekend - Vampire WeekendComing in at #2 is the breakthrough sensation of 2008, Vampire Weekend. Their debut self-titled album struck gold with the release of the hit single "A-Punk." Aside from that, it's the funky quirkiness of tunes like "Oxford Comma," "Cape Cod Kwassa Kwassa," and "I Stand Corrected" that makes VW's music so desirable.
To think that a few years ago, these guys were nobodies with everyday jobs is pretty amazing. It has been recited all year that lead vocalist Ezra Koenig was a science teacher one day, and had a record deal the next. The band's fame took off so fast that it seems as if they came out of nowhere.
Now, VW is a staple in indie music. They have been selling out shows across the nation and playing some of the largest festivals in the world. Their music fits in perfectly anywhere. There is no question that VW is here to stay for a while.
Posted byLogan Lenz at 19:32 0 comments
Labels: 25 days of music, album, best albums of 2008, vampire weekend
#3: Bon Iver - For Emma, Forever Ago
12.23.2008
As sad as it may sound, we all owe DeYarmond Edison a big thank you. DeYarmond Edison, the name of Justin Vernon's indie folk group, broke up, causing Justin to put his thoughts on tape by himself. The recording process turned into Bon Iver, and the beauty he was omitting would soon become For Emma, Forever Ago. Just like all us fans, I am sure Justin is now very content with the series of events that led him to such delight.
I must admit, I have a weakness for singer songwriters with just acoustic guitars. I love Rocky Votolato, Joey Eppard, Damien Rice, and Iron and Wine more than you know. But my bias does not seem to be a solid argument for Bon Iver's favorable positioning on this countdown. If you look around, For Emma, Forever Ago, has been celebrated as this year's top album by a ton of different properties. There is no denying the raw beauty and art that he has created on this album.
Posted byLogan Lenz at 12:05 0 comments
Labels: 25 days of music, album, best albums of 2008, Bon Iver, For Emma Forever Ago
#4: MGMT - Oracular Spectacular
12.22.2008
Open your mind. MGMT is the new outrageous duo of indie rock. Their debut album, Oracular Spectacular, is a rollercoaster of electronic sounds, bizarre themes, and fantastical scenarios. Some people believe you must be on drugs to enjoy MGMT, but they aren't completely correct. While the band endorses a hippy lifestyle of freedom and drug-use, their music transcends such boundaries. Everybody can get a kick out of their crazy style.
Some of my favorite songs of the year came from Oracular Spectacular. Songs like "The Youth" and "Electric Feel" remind me most of Beck during his Odelay days. The soul and the funkiness in these tunes is contagious, especially when you're affected by the sexy falsetto vocals.
I can't wait to hear more stuff from MGMT in 2009. This group has a great future ahead of them. Hopefully, they don't let me and their tons of new fans down with their next release.
Posted byLogan Lenz at 14:40 0 comments
Labels: 25 days of music, album, best albums of 2008, mgmt, oracular spectacular
#5: My Morning Jacket - Evil Urges
12.21.2008
My Morning Jacket has been recognized as a talented group since the turn of the 21st century.
I remember when a friend of mine had me listen to their stuff before nobody had any idea who they were. Needless to say, I was not a big fan at that time, but I definitely knew to keep an eye out for them at that point. Jim James, MMJ's vocalist had one of those "love it or hate it" voices, similar to that of Coheed's Claudio Sanchez. I've always liked voices such as these, so as years passed, I became more and more of a fan of MMJ.
Fast forward to 2008. Evil Urges was being hyped as one of the best albums of the year months before it even came out. I knew I was going to hear something special, but I didn't expect it to be as good as it actually was. More than ever before, the band displays their ability to craft an amazing song. They remind me a lot of The Carpenters and Captain and Tenille in that sense. They don't stick to a certain formula of songwriting, they just pen songs from their mood and their hearts.
I sadly must admit that I have yet to witness MMJ perform live. I have been suffering through the amazing reviews on their live performances, with the inability to see them here in Orlando, Florida. It seems that every time they have been here, I haven't been able to attend. Sad, I know.
Posted byLogan Lenz at 22:56 0 comments
Labels: 25 days of music, album, best albums of 2008, evil urges, my morning jacket
#6: Santogold - Santogold
12.20.2008
Don't you dare call her R&B. Don't call her rap. Don't call her reggae. Don't even call her pop. If I had to pigeonhole Santogold's musical style, I would call it "Interesting," because it incorporates almost all of the aforementioned genres. On her debut album, there are songs like "Creator" that glorifies her comparisons to hip-hopper M.I.A. Then there are songs like "Lights Out" that could be featured on pop radio. Finally, there is "L.E.S. Artistes," which always seems to remind me of Tegan and Sara.
As an ex-A&R rep and pop songwriter, I must thank her for taking the plunge to the forefront and expressing herself through her own musical journey. Santogold has a long-lasting future ahead of her. But that's only if she accepts the offer. I am a little worried that fame will get the best of her and she will not become the superstar and historical figure that she could become.
Posted byLogan Lenz at 18:29 0 comments
Labels: 25 days of music, album, best albums of 2008, santogold
#7: Fleet Foxes - Fleet Foxes
12.19.2008
#7: Fleet Foxes - Fleet Foxes
2008 was a year of surprises in music. Britney Spears came back, The Police called it quits, and Fleet Foxes stunned the world. It seemed as if this band had come out of nowhere to take the music industry by storm. This self-titled album has been raved as one of the best of the year by almost every major publication. What makes it so good, you ask? Listen for yourself.
They have a very unique indie folk sound that takes advantage of harmonies and backing vocals. If this countdown was based strictly around vocal harmonies and melodies, it would be #1. And I love harmonies.
This is without a doubt a "must have" for 2008. For those of you that haven't heard of Fleet Foxes until now, consider yourself warned. Check them out right now.
Posted byLogan Lenz at 14:05 0 comments
Labels: 25 days of music, album, best albums of 2008, fleet foxes
#8: Sigur Ros - Med Sud I Eyrum Vid Spilum Endalaust
12.18.2008
#8: Sigur Ros - Med Sud I Eyrum Vid Spilum EndalaustAs a long time Sigur Ros fan, this long-titled album was one of the most anticipated of the year for me. After I heard the first single "Gobbledigook," I knew this album was going to be one of their best to date. It has always been their strange creativity that has gained them such an immense cult following.
This album features more of the same appealing sound that Sigur Ros has offered in the past. This time around, though, there seems to exist more maturity and cohesion within the band. Perhaps this is due to the change in their recording process. This album was the first time they recorded outside of Iceland and featured the first time they "played by the rules" by recording, releasing, and touring all within the same year.
Posted byLogan Lenz at 23:41 0 comments
Labels: 25 days of music, album, best albums of 2008, Sigur Ros
#9: Girl Talk - Feed the Animals
In June of this year, Girl Talk released Feed the Animals in the same vein as Radiohead's In Rainbows the year before. Without releasing to the mass public, GT offered exclusive purchasing availabilities online to "pay-as-you-like" customers. Ultimately, this idea worked for Girl Talk, just as it did for Radiohead. Obviously, though, it wasn't AS successful.
While I don't completely agree that the selling style was necessary for this album, I do feel that the content on Feed the Animals is priceless. By utilizing samples of old songs, mashing them together and creating new versions of the classics, Girl Talk has become more of a household name in the DJ world than ever before. This album has received rants and raves all year long and is being analyzed as one of the best of 2008.
There really is no reason to list some of the best songs on the album. All of the tracks feature amazing clips from all of the past hits. No matter who you are, I am sure you can find enjoyment in a certain part of all of the songs. All around, it's good stuff - especially at parties.
Posted byLogan Lenz at 01:40 0 comments
Labels: 25 days of music, album, best albums of 2008, Feed the Animals, Girl Talk
#10: Liam Finn - I'll Be Lightning
12.17.2008
#10: Liam Finn - I'll Be LightningLiam Finn was promoted as an "Upcoming Artist to Watch" this year. Even throughout all of the hype, I didn't expect for I'll Be Lightning to impress me very much. Much to my pleasure, I was incredibly wrong. Not only did I discover that the album was enjoyable, but as you can see, it ended up being one of the ten best of 2008.
Liam Finn's sound encompasses all indie rock sounds. A perfect description of him would probably be a mash-up between Ben Kweller, Sufjan Stevens, and Loney Dear. I don't know about you, but those are three of my favorite artists, and therefore, that is why I enjoy his music so much. Throughout all of the surprise albums of the year, this one was the most rewarding by far.
Posted byLogan Lenz at 01:10 0 comments
Labels: 25 days of music, album, best albums of 2008, I'll Be Lightning, Liam Finn
#11: Mugison - Mugiboogie
12.15.2008
As if being signed to Ipecac Recordings wasn't a good enough description, Mugison's sound can only be described as foreign to American ears. Now that this Icelandic pop star has shown his face in the States, he is going to have to continue to release jaw-dropping music, as he has done on Mugiboogie. The album can't be described nor explained appropriately. You just have to hear it for yourself.
I don't know what it is about these imported artists and their debut albums every year. Mika, Kate Nash, Loney Dear - the list goes on and on. For whatever reason, they seem to top all of the "Best of" charts - at least lately. I'm not disgruntled by this - don't get me wrong. I am into more outlandish and obscure music anyway.
The song "To the Bone" is good enough to be on rock radio. "Deep Breathing" and "The Animal" could be seen as favorites of others as well.
Mugison is undoubtedly the best thing to come out of Iceland since Bjork. Give this artist a few more years and he could perhaps surpass Bjork as the master of the country.
Posted byLogan Lenz at 16:27 0 comments
Labels: 25 days of music, album, best albums of 2008, Mugiboogie, Mugison
#12: Of Montreal - Skeletal Lamping
Skeletal Lamping, the latest creation by the cult sensation Of Montreal, has been dubbed by many as "their craziest yet." If you aren't familiar with Of Montreal's material, that is quite a statement. Of Montreal possesses the most indie and abstract pop sound imaginable, and its that poppy catchiness that has built their following over the years.
Aside from the oddly titled album name, the songs don't lack creativity either. "Gallery Piece" is an eloquent rendition of the band's unique pop sound while "And I've Seen a Bloody Shadow" shows the slower side of their creativity.
All in all, this is a great offering by a relentless band that does not seem to be showing any signs of slowing down.
Posted byLogan Lenz at 01:26 0 comments
Labels: 25 days of music, album, best albums of 2008, Of Montreal, Skeletal Lamping
#13: Ray LaMontagne - Gossip in the Grain
12.13.2008
If I had to name the best male vocalists around today, I would recite names like Jamie Lidell, Joey Eppard, and definitely Ray LaMontagne. Ray, quite possibly, may actually possess one of my favorite male voices of all-time - alongside Stevie Wonder and Freddy Mercury. For whatever reason, Ray hasn't gained the fame of a Josh Groban or Jack Johnson, but I would like to blame it primarily on American stigma.
Ray LaMontagne has a very "throwback" sound to his voice. His voice alone make his albums sound as if they were recorded in the 70s. Gossip in the Grain is no exception as it features more of the same vintage style that I adore so much. There is no question that Ray is one of my favorite singer-songwriters around today - next to the likes of Iron and Wine and Rocky Votolato.
You will probably hear songs like "You are the Best Thing" and "I Still Care For You" in movies and commercials, like you have so many Ray tunes in the past. For some reason, though, you will not see Mr. LaMontagne on the cover of any magazines or being followed by the paparazzi anytime soon. And that to me, is the greatest astonishment.
Posted byLogan Lenz at 17:06 0 comments
Labels: 25 days of music, album, best albums of 2008, Gossip in the Grain, Ray LaMontagne
#14: Kings of Leon - Only By the Night
12.12.2008
#14: Kings of Leon - Only By the NightWhat can I say? Kings of Leon is simply one of the best new bands around. Their Southern blues rock feel is unique and their songwriting is next-to-perfect. Their career thus far has been smooth, landing amazing opening slots on tour with the likes of Pearl Jam, Red Hot Chili Peppers, and Mars Volta.
Only By the Night is more of the same impressive Kings of Leon that have taken the music world by storm several years back. Songs like "Sex on Fire" and "Use Somebody" are two of my favorites, although I can't stress how great the entire recording is.
Sorry for the short post. Gotta hit the road. Check back tomorrow.
Posted byLogan Lenz at 13:33 0 comments
Labels: 25 days of music, allbum, best albums of 2008, kings of leon, only by the night
#15: Lil Wayne - Tha Carter III
12.11.2008
With all that being said, I know how good Lil Wayne's latest record is. Do I listen to it a lot, though? No. His style of hip-hop is not my favorite, but I can understand how it could be others'. The album is very polished and filled with addicting tracks. It's, by far, the best hip-hop record of the year, which is a major achievement in itself.
Need I speak about the ingredients in the album? You have an appealing edgy image, controversy, cleverly written lyrics, and powerful beats in the equation. Not to mention the insane amount of special guests that appear on the record. "Tie My Hands" featuring Robin Thicke was the pleasant surprise of the album to me. But all in all, its an enjoyable all-around listen - especially for any hip-hop fan.
Posted byLogan Lenz at 23:42 0 comments
Labels: 25 days of music, album, best albums of 2008, Lil Wayne, Tha Carter III
#16: Sun Kil Moon - April
12.10.2008
I don't need to say much about this album. All you need to know is that it is worth your consideration. April features long anthems and artistic craft. They have been compared to Radiohead in the past, but I don't really like that too much. Sun Kil Moon is definitely very original.
The opening track, "Lost Verses" is 10 minutes long. With that being said, it's obvious that this album may not be for everybody. Songs like "Lucky Man" and "Unlit Hallway" are shorter versions of the same ingenious music. Check the band out and let me know what you think.
Posted byLogan Lenz at 23:53 0 comments
Labels: 25 days of music, album, April, best albums of 2008, Sun Kil Moon
#17: The Tallest Man on Earth - Shallow Grave
12.09.2008
What if Bob Dylan played the banjo? The result would sound a lot like The Tallest Man on Earth, an acoustic folk sensation out of Sweden. His writing is as advanced and ingenious as Dylan's, and his guitar playing probably exceeds that of his. There is something very special about his music. Its imperfection and care-free feel is a breath of fresh air in today's overproduced music industry.
I must admit - when I heard about TTMOE, I shrugged it off and figured that I wouldn't like it very much. Much to my surprise, his music struck as me as very mature and extremely artistic. Trust me, I know folk music with a country twang is not for everybody - and it's usually not for me. I can only suggest you listen to this Swedish folk with an open mind and a knowledge for what is true artistic expression.
Shallow Grave was by far my unexpected sleeper hit of the year. It's actually pretty hard to find in stores. Apparently, the CD hasn't even officially been released in the U.S. yet. It really is THAT good to still be included on this countdown, though.
Posted byLogan Lenz at 22:41 0 comments
Labels: 25 days of music, album, best albums of 2008, shallow grave, tallest man on eahttp://www.blogger.com/post-create.g?blogID=3391278043517690800#rth
#18: TV on the Radio - Dear Science,
12.08.2008
Dear Science, their 2008 release, may not be their best effort, but it is still TV on the Radio. During tracks like "Family Tree" and "Halfway Home," dancing is deemed mandatory and singing along is very hard to dismiss. While no song on the album lives up to old classics like "Staring at the Sun" and "King Eternal," the collection of tunes are still very well-packaged and synergistic toward the end goal.
I wouldn't be surprised to find out how many of you have failed to pick up on TV on the Radio yet. Their underground success has been hidden just as much as their identities have. After having a chance to see them live a few years ago, my intrigue and admiration for them has escalated, as I think yours would to.
Posted byLogan Lenz at 14:00 2 comments
Labels: 25 days of music, album, best albums of 2008, Dear Science, TV on the Radio
#19: The Streets - Everything is Borrowed
12.07.2008
My favorite song on the album is the titular opener, which features a tremendous organ-based hip-hop groove. The verse is laced with intelligent stories, while the chorus remains fun and exciting. This trend continues throughout the entire album.
If you can smile and not take this record very seriously, you should enjoy it very much. All of you hip-hop fans should find some intrigue in the backing music just as much as the inventive verbiage. While you are at it, you should check out all of the Streets' recordings. You won't regret it.
Posted byLogan Lenz at 21:26 1 comments
Labels: 25 days of music, album, best albums of 2008, everything is borrowed, The streets
#20: Coldplay - Viva La Vida
12.06.2008
Their craft is most prevalent on this album in songs like "Lost" and "42." Coupled with the strategic release of two singles prior to the release of the album in June, you have an album laced with great material and instant classics. Hopefully, the CDs lack of length can be overlooked. The ten songs, one of which is an instrumental intro, almost leaves the listener feeling "ripped off."
Although there were mixed reviews of this record, Viva La Vida is, in fact, a tremendous album. If you didn't approve after first listen, I recommend you take it out and review it once more. I guarantee you will begin to hear things you missed during the first go-round.
Posted byLogan Lenz at 23:02 1 comments
Labels: 25 days of music, album, best albums of 2008, Coldplay, Viva La Vida
#21: The Dodos - Visiter
12.05.2008
I have to be honest and admit that I was unaware of the Dodos' brilliance prior to this year. When I stumbled upon their latest release, Visiter, I was completely taken by surprise. It was hard for me to believe that a band that hadn't reached a form of "success" as we know it could come out of nowhere and spawn a magical creation such as this.
I love the song "Fools." Its quick tempo and nonstop action makes it a very listenable track. So much so, that I caught myself listening to it on repeat several months ago. Other songs like "Eyelids" and "Jodi" standout among the rest as well. However, it is important to note how exceptional the entire album actually is.
You can tell this countdown is beginning to get down to the nitty-gritty because there were just so many impressive albums released this year. I am happy to say that the Dodos is from California, and that at least a few entrants in the top #25 will be representing our country.
Posted byLogan Lenz at 14:55 0 comments
Labels: 25 days of music, album, best albums of 2008, The Dodos, Visiter
#22: Hot Chip - Made in the Dark
12.04.2008
One of this year's greatest British imports had to be Hot Chip's Made in the Dark. I know that electronic and techno music isn't for everybody, but the appeal of Hot Chip exists inside their integration of melodic harmonies and versatile vocal sounds. There is no question that Hot Chip is an innovative group that incorporates a wide range of influences into their songwriting process.
The single "Ready for the Floor" happens to be one of my favorite tunes of the year. Aside from that, other songs such as "Shake a Fist" and "Touch Too Much" are perfect examples of the group's unique style. If you are into melodic electronic music, check this album out. It may just become your favorite new album to dance to.
Posted byLogan Lenz at 17:19 0 comments
Labels: 25 days of music, album, best albums of 2008, Hot Chip, Made in the Dark
#23: Lykke Li - Youth Novels
12.03.2008
It was hard to miss this year's international phenomenon Lykke Li. It seemed she was just about everywhere. Youth Novels, the young Swedish star's debut LP, has received amazing reviews all year and I still haven't met an individual that had anything negative to say about it. What can I say? She is sweet and bizarre at the same time. In a way, she essentially became 2008's Kate Nash.
Her eclectic contradictions in sound between soft pop and electronics is done beautifully throughout the entire album. Aside from the singles "Tonight" and "Little Bit," it's tunes like "Dance, Dance, Dance" and "This Trumpet in my Hand" that really won me over.
There is no question that Lykke created an "album" and not just a collection of songs. And if you know the Music Mastermind at all, doing just that is what ultimately lands you on this countdown.
Posted byLogan Lenz at 15:46 0 comments
Labels: 25 days of music, album, best albums of 2008, best of 2008, Lykke Li, Youth Novels
#24: Afterglow Radio - Find Yourself Again
12.02.2008
#24: Afterglow Radio - Find Yourself AgainIt’s almost mandatory for me to include at least one local independent act in this countdown. Last year, I included great groups like Triggerslip and Caveman Theory in the latter part of the countdown not only to symbolize my love and devotion to our thriving Florida music scenes, but because the albums were exceptional as well. I listed Orlando’s Afterglow Radio this year because their full-length debut, Find Yourself Again, is outstanding any way you look at it.
Its tracks like “Wasted” and “I’m Running” that exemplify Afterglow’s alternative rock style the most. They offer the perfect sound for any and all rock radio stations. Expect big things from these guys in the near future.
Posted byLogan Lenz at 22:32 1 comments
Labels: afterglow radio, album, best albums of 2008, best of 2008, find yourself again
#25: A Skylit Drive - Wires and the Concept of Breathing
12.01.2008
Every so often, you stumble upon an unknown artist that you unexpectedly fall in love with. For me, I never expected to be swooned by another “fashion-core screamo” band. I like a few bands in the genre, but none have ever earned a space in my top albums of the year. A Skylit Drive’s first album, Wires and the Concept of Breathing, conquered the unthinkable by taking my stereo by storm this year.
Songs like “Knights of the Round” and “Eris and Dysnomia” completely embody the utter power and passion behind the band’s style. The music is well performed, while the screams and melodies of the vocalists take everything to the next level. The choruses are big and catchy.
If you like Coheed and Cambria and Underoath and want to hear a perfect fusion of the two, A Skylit Drive is deserving of your time. As long as you can overlook the spotty production and less than perfect sound quality throughout the album, you should become a fan.
Posted byLogan Lenz at 12:10 0 comments
Labels: A Skylit Drive, album, best albums of 2008, best of 2008, Wires and the Concept of Breathing
2nd Annual "25 Days of Music"
11.30.2008
Ever since I became "The Music Mastermind" last year, I have tried to distribute all of my articles, interviews, and experience in the music industry through this blog. It's easy for me to blame my chaotic life for the lack of this blog's usage for the last 8 months. It wasn't until this week that I realized how much fun I had utilizing musicmastermind.com and how much I truly missed it. At the very same moment, I realized I was just in time, since December was right around the corner.
It was a perfect marriage between compromise and coincidence. For the last few days, I have been fumbling to organize my favorite albums of 2008 in hopes to launch the second annual "25 Days of Music" event. Luckily, I was somewhat organized again this year and my picks weren't nearly as hard as I initially thought.
Therefore, tomorrow, December 1st, will mark the return of "25 Days of Music" - a daily countdown throughout all of December that finishes on Christmas Day with the announcement of the #1 album of the year. Feel free to look back to review last year's countdown here:
http://musicmastermind.blogspot.com/search/label/album
I am looking forward to #25 tomorrow. Stay tuned!
Posted byLogan Lenz at 13:12 0 comments
Labels: 25 days of music, album, best albums of 2008, best of 2008, countdown
Interview with Mute Math
3.26.2008
Mute Math
By Logan Lenz
(As published in Rag Magazine, 2007)
Don't be ashamed if you have never heard of Mute Math; not a lot of people have. Slowly but surely, however, the band has begun turning heads and earning fans after their album debuted at 17 on Billboard's "Top Heatseekers" chart. The band's eclectic blend of musical genres has enabled the group to headline their own theater tour in the fall. Known for their vibrant and sometimes dangerous live performances, Mute Math only has room to grow. Paul Meany, the band's founder and vocalist spoke exclusively with RAG Magazine on his band and their rapid rise to stardom.
In your own words, how would you describe Mute Math's music?
Meany: I would describe it as good music. That's the only kind that I was interested in making when we started. If there is a category that we would fall into, it would have to be that one.
What is the meaning behind the name Mute Math?
Meany: There is no meaning. It was our drummer's email address. If it meant anything, it simply meant that we didn't have to continue looking for a name, which we had arduously done for months and months.
How did you guys end up teaming up with an act such as Eisley for the current tour?
Meany: We met Eisley a while ago. They are a bunch of sweethearts that make sweet music. We played a Christmas party for Warner Bros and we were horrible. We just botched it! It was one of those shows where we finished and nobody would talk to us or even look at us. Eisley happened to be there and they were the only ones that came to talk to us. They pretty much nursed us back to health. We've been friends ever since.
Mute Math offer a myriad of different elements in their music. Did you guys set out to make something different and unique when you formed or is that something that just happened over time?
Meany: All we wanted to do was create something that we would be excited about. Mute Math really started out as a side project. We always just tried to keep everything simple, while trying to steer clear of any particular musical category.
Who influences Mute Math's music?
Meany: All of the greats: Barry Manilow, Celine Dion, Barbara Streisand, Michael Bolton – you can just go through the lineage.
What's your favorite track off of the album?
Meany: It varies from day to day. Today, I'm in a "Stare at the Sun" mood.
You guys were very wise in your decision to release your albums independently through your own label Teleprompt Records. How did the partnership with Warner Bros actually work? Did they pursue you or is that something you planned on doing anyhow?
Meany: Honestly, we really didn't know. Ted from Teleprompt had a lot of friends involved with the bigger labels. His dream was to have his own imprint label that would eventually upstream to Warner Bros. At the same time, Darren and I started making music together. That model was very attractive to us and it worked out rather well.
I hear you guys have been working on some material for a new album. What can you say about that and what can everyone expect?
Meany: Everyone can expect that it will be a better record than the first. We won't release it if it's not. We have been working with a lot of cryptic ideas during soundchecks and our occasional free time. From the few songs we have written, I am pretty exhilarated just thinking about the next record.
For anyone that did not witness it, explain how Mute Math became the first band to play backwards on television.
Meany: That would be a confusing statement to me too. We filmed the music video for the song "Typical" in reverse. It's not an original idea by any means, but we did it as a performance. Everyone learned their parts backwards. It was a blast! Someone at Warner Bros recommended doing the same thing on live television. So, all we did was recreate our video on TV for Jimmy Kimmel's show. It was extremely awkward and confusing for everyone in the audience, but when they aired it, they flipped it and the end result was a visual festival.
How did the Transformers gig come about? What was it like writing the theme song for such a blockbuster film?
Meany: Going back in time to an eight-year old Paul Meany, it was hoped that one day he would get to sing the Transformers theme song on its soundtrack. I was obsessed with Transformers. Warner Bros called us and told us they were doing the soundtrack. They didn't have anybody doing the theme song and they asked us if we would be interested in taking a stab at it. Of course, we obliged. It was a real pleasure.
Is there one moment or period of major accomplishment that stands out to you?
Meany: There has been a few. Doing our first headlining tour was a big one. Just seeing people show up to watch you perform was a stellar collection of moments. Another one would have to be playing David Letterman. All of us have a huge respect for that show.
What about all of the new music out there? Are there any newer bands that stand out to you?
Meany: Shiny Toy Guns and The Cinematics - both great bands.
What is to come for the future of Mute Math?
Meany: All I see in the future is a lot of shows. Hopefully, we will be able to record our next record at some point early next year.
Posted byLogan Lenz at 17:27 0 comments
Labels: Interview, Mute Math, Rag Magazine
Interview with Tegan & Sara
3.05.2008
By
For these two Canadian identical twin sisters, music has always been the only option. Since 1995, the two siblings have become one of the most unique and beloved independent acts in
For anyone unfamiliar, how would you describe Tegan and Sara?Quin: I don’t know. I typically don’t describe our music. When I meet people at random parties or something and they ask me what I do, I tell them I have a band. When they ask me what it sounds like, I just tell them to check out our mySpace page. So, I don’t know if I am getting lazy or if I just don’t know how to describe us.
Aside from your early cassette releases, Tegan and Sara have released five CDs; the first of which, Under Feet Like Ours, was originally released uunder the name Sara and Tegan. I have heard that the CD has become a hot commodity. How can a fan obtain a copy?
Quin: We negotiated with our record label for us to be able to sell it live. I saw online that our fans were buying it for a couple hundred dollars, and I thought that that was pretty unfair. We started manufacturing it again so now you can buy it straight from us at one of our shows.
Why switch the band name after you had already released an album?
Quin: When you say “Sara and Tegan,” it sort of all blends together. But, when you say “Tegan and Sara,” you have to annunciate everything.
What is your favorite track off of the latest record, The Con?
Quin: To play live, I love “Are You Ten Years Ago” because it’s such a massive beast. It took us a while to figure out how to play it live, but we have managed to make it even bigger than the recording of it.
The Con was produced by Chris Walla of Death Cab for Cutie. How was it working with him?
Quin: Chris was great. He really wanted to “create an arch” and make a record that is worth listening to from start to finish. He loves to sequence records so that everything fits and you know what is coming next. He had this meticulous nature that I easily responded to.
Who are some of your main influences?
Quin: We listen to all sorts of stuff. Growing up, we listened to the 70’s and 80’s classics like Bruce Springsteen, U2, The Police, and the Pretenders. In our teens, we got more into punk and alternative music. Now, however, it’s a combination of all of that stuff. I like a lot of electronic music. I think we infuse a lot of different styles into our music and it comes out as a pop fusion.
How did you end up pairing up with
Quin: I met
I have read that you and Sara live in different cities and that you do not get along all of the time on the road. Is it just sibling rivalry or do you guys really get sick of each other often?
Quin: Sara and I actually get along pretty well. I think people project their own ideas about being on the road with their siblings and they are horrified by it. When you spend as much time as we do together, you will have arguments. But the same goes for anyone in the band, not just Sara.
I heard about a side project with Hunter Burgan of AFI. Can you give us any insight into this?
Quin: We have been writing together for the last year and a half. I don’t know what is ever going to happen with that. He was touring while I was off, and now I am touring while he is off. We are both very creative and into a lot of the same styles of music, so we started writing material and sending everything to each other. I don’t know when if and when it will surface, but I hope it will eventually. It’s good stuff. I wouldn’t want it to disappear completely.
At only 27 years old, you have released a great deal of music. What do you still hope to accomplish, that you may haven’t had a chance to yet, at some point down the road?
Quin: Having a side project was always something I wanted to do, and I am getting to do that right now. I look forward to exploring that further. I think that we are getting to the age where we don’t need to tour all of the time. I don’t want to be a superstar that is selling millions of records. Because of that, I think there will be longer spaces in between our records. I don’t want to just pump out music just to make more money.
What is to come for the future of Tegan and Sara after this tour ends?
Posted byLogan Lenz at 16:22 1 comments
Labels: Interview, Rag Magazine, Tegan and Sara, The Con
Godsmack Interview
3.03.2008
After years of sitting atop the throne of the alternative rock world, Godsmack will return in April with a new album entitled “IV.” The band not only promises one of the best albums they’ve ever made, but they also slate this time around as being “only the beginning” of their already lengthy career. I, fortunately had the chance to speak with Godsmack heavy-hitting drummer, Shannon Larkin, who went on telling me about the art of rock drumming, the band’s upcoming album, future touring plans, and what exactly the name “Godsmack” really means.
Entertainment World Exclusive
Interview with
By
Entertainment World: First of all, I would like to thank you in advance for this interview and pay my respects to you and your career thus far. Being a drummer myself, I can’t begin the interview without stating how much of an influence you are to the drumming world.
Entertainment World: Being such a great and well-known drummer in the metal world you have found yourself playing for many accomplishing names in the field before ending up in Godsmack. How has the overall experience been as a member of Godsmack?
Entertainment World: How sick is Sully’s drumming? Honestly?
Entertainment World: So, Godsmack has a new album coming out on April 25th called “IV.” Tell me a little about what the fans can expect from this album and how it compares with your previous releases.
Shannon Larkin: Our fans can expect the same tough Godsmack sound. There are some really heavy songs like what were on the first record. And there’s also an acoustic song called “Hollow” for all of the fans of our acoustic record “The Other Side.” The heavier stuff on this album just sounds more epic. This time around Tony, Robbie, and myself had freedom enough to write complete songs on our own which ultimately makes this album have different sounding songs.
Entertainment World: I can’t help but notice that a new song on the new album is titled “Voodoo Too.” Is this a continuation of the original “Voodoo” song or is it just a clever title to a song with a similar feel to it?
Shannon Larkin: It’s just a similar feel. I wrote the song with a bass guitar and a drum beat. I thought about how the original song “Voodoo” was really cool when I first learned it after joining the band. I tried to repeat somewhat of the same feel to form a newer version of a great song. We actually think it’s just as good, if not better than “Voodoo.”
Entertainment World: The question is often asked, “What do those guys mean by the name ‘Godsmack?’ What exactly does the name mean and how did the founding members come up with it?
Shannon Larkin: It’s the name of an
Entertainment World: Has any religious groups ever protested or expressed any displeasure regarding the band’s name?
Entertainment World: What is your favorite Godsmack song to play live?
Shannon Larkin: “Straight out of Line” is definitely up there on the list. I love the drumbeat and the verses. Off of the new record, I’d have to say “Livin’ in Sin.” “One Rainy Day” is great too. It’s got a bluesy feel to it. I think that’s what I’m going to be doing when I’m sixty years old and retired. I’ll be jamming out and playing the blues.
Entertainment World: What can we expect to see from you guys in the near future other than the release of your new album, IV, on April 25th? I’m expecting a huge arena tour, right? What can we expect from that?
Shannon Larkin: We’re leaving
Hot Seat:
Entertainment World: Favorite movie?
Shannon Larkin: Evil Dead 2
Entertainment World: Favorite actor or actress?
Shannon Larkin: Bruce Campbell
Entertainment World: CD you cant live without?
Shannon Larkin: Pink Floyd – Wish You Were Here
Entertainment World: Best video game platform?
Shannon Larkin: PS2 – Soul Caliber 3
Entertainment World: Ipod or actual CD?
Shannon Larkin: I love both of them too much!
Entertainment World: Favorite type of TV show (sitcom, drama, reality, home make over, etc)?
Shannon Larkin: NFL football
Entertainment World: Celebrity you'd like to be caught in tabloids with?
Shannon Larkin: Angelina Jolie
Entertainment World: Location of biggest portion of your fans?
Shannon Larkin:
Posted byLogan Lenz at 07:56 0 comments
Labels: Entertainment World, Godsmack Interview, IV, Shannon Larkin
Devin Lima Interview
2.06.2008
Devin Lima & the Cadbury Diesel
By
I've always known that I wanted to do something like it. I knew that I had to continue doing music. I got too many tattoos and became this creature that could never work behind a desk. The last few years, I met people and wrote songs with what I had. I had rock guitars, but wanted to make a great pop record. The new album is something that I am very happy about.
Because of the whole "pop" thing, I thought about the presentation of everything. So, I thought about what is attractive to me. I ended up taking two things that meant something to me. My girl always loved Cadbury eggs and I went through a phase wear I loved Diesel Jeans.
After all of my previous work, I decided to analyze everything completely. Why did I have certain tendencies? I pretty much tried to create a new being. I never had "garage years" like most bands do, so I had to go through all of that as well. And it took several years.
One of my favorite bands is the Red Hot Chili Peppers. In a song off of the album By the Way, they use that line. That's always stuck with me. At that point of my life, I was trying to see what certain signs meant. While we were recording the album, we used a Mozart soundboard and then one day we all ate at a Mozart Café. It was just one of those freak things.
I don't "hope" anymore. I only think of what I would like to make happen. I don't like to think negatively anymore. I know that this album is the step that I need to take to make things happen for my music.
That's a hard one! Let me back away from it for a second and look at it from the outside…. (Pause)…. I really wanted to write a song about ice cream. I didn't know how it was going to work, but I didn't care about the whole corny thing. "
(Laughs) No, not really. The entire band is rooted in rock. As for me, I still do my dancing on stage, but it's more of a B-Boy style and spinning. So, it's not completely out of my comfort zone.
If you step back and listen to the music with a free mind, there is no doubt that everybody, no matter their background, will find something that they really enjoy. There are so many different types of songs on the album, even though they are rooted to the same idea. In today's world, I think we are going to have to create our own market somewhere in between pop and rock.
In LFO, all I did was sing. That was always a dream for me, to be a singer. That dream was fulfilled. Then, I asked myself what do I want to do next? I wanted to be a songwriter. With this record, I got to do that myself. It took me almost five years to be comfortable with writing, though.
A lot of it is just speaking to your self. Let's say I wanted to write a song about this interview. Your name is
Stevie Wonder, Prince, The Beatles, RHCP, Rolling Stones, Sly and the Family Stone, and everyone else that has made any form of music.
(Laughs) My manager is also the manager of Sly. It was just one of those things. I was on a tribute album that was made for them. Then from there, the Grammy's wanted to do some kind of special performance for Sly. I was just fortunate enough to be there for it.
Would you ever consider a reunion with LFO if given the chance?
Maybe at some point after I am done doing what I am doing now.
We're going to get the single out there and see what happens. We're going to practice our asses off. Next year, hopefully we'll get on a cool summer tour. Either way, I think we're going to be in it for the long haul.
Posted byLogan Lenz at 17:42 0 comments
Labels: Cadbury Diesel, Devin Lima, Interview, Rag Magazine
Paramore Interview
2.04.2008
With the release of their sophomore album RIOT!, Paramore has rapidly become one of the most in-demand young rock bands around. Fronted by the vibrant 18-year old female prodigy Hayley Williams, Paramore was destined for stardom since their 2004 conception. The band hope to continue taking the world by storm by handling the headlining duties on this summer's Warped Tour. RAG had the exclusive privilege to speak with guitarist Josh Farro about what it's like being young and being loved.
RAG: In your own words, how would you describe Paramore's music?
Farro: Our music is really energetic and youthful. It's definitely filled with raw emotion. I wouldn't classify us as emo, although a lot of people do that. I think we have a new sound. A lot of people make the comparison to Avril Lavigne just because of the female lead, but I beg to differ. We're a little more aggressive.
What makes the new album RIOT! different for the band this time around?
Farro: First of all, I feel like we were all much more comfortable with our instruments. For the first album, we were all so young when we recorded it. Zac Farro (drummer and brother of Josh) was only 13, I was 16, and Hayley was 15. Everything happened so fast. After two years of touring, we entered the studio to record RIOT! with such a familiarity with ourselves and a better understanding of our capabilities.
What is meant by the title RIOT!?
Farro: We really wanted a one word title for the album. I was looking in the dictionary one day and found the word "riot." I discovered a meaning for it that stated "an uncontrolled outburst of emotions." Hayley really liked that because a lot of the lyrics on this album can be considered emotional outbursts. They are all pretty straight to the point and even somewhat vicious at times. The title was a perfect fit.
What's your favorite track off of the new album?
Farro: I'd probably have to say "Misery Business." To me, it's probably the most unique song we have ever written.
Briefly explain how Paramore's writing process works.
Farro: I usually write the music and record it right away. Then I'll give it to Hayley so that she can add lyrics and melody to it. From that, it builds into a complete band effort, where we'll work on dynamics and complete the structure of the song. Sometimes, however, it ends up being the other way around. Hayley may come up with an idea and I will contribute to it shortly after.
Who are some of your main influences as
a band?
Farro: Jimmy Eat World is probably the most influential to us. Death Cab for Cutie has to be listed in there as well.
What has been your greatest accomplishment as a band thus far?
Farro: I think selling 42,000 records of RIOT! in the first week is pretty groundbreaking for us. We are completely surprised and humbled by the album's success. We really can't believe it.
How was it growing up with a musical sibling like Zac (drummer)?
Farro: It was really great! We started covering songs for a long time until we finally started writing our own material. It was great to be able to work on songs whenever we got bored.
Paramore's big break came very uniquely in that you were actually discovered and signed by Atlantic Records. They actually thought it was wise to work out a deal with the indie label Fueled by Ramen to reach the kids in the scene's "purest" form. How does the relationship between the labels affect the band?
Farro: Well, I would say that we are officially signed to Fueled by Ramen. We work a lot more with them, but both labels are involved somewhat. It has only been recently that we have seen Atlantic Records really getting involved with us. But you definitely have it right. Not a lot of people know that information.
Nobody in Paramore was older than 16 when the band was signed. How do you think your age has affected the band's success?
Farro: It's definitely an advantage. Kids can relate to us since we are going through the same things they are. Being young is really great also because if this band doesn't work out, we have our whole lives ahead of us.
Since the band is so young, do you still have to deal with school on the road?
Farro: Unfortunately, we do. Being the oldest, I graduated high school early on. Hayley just recently finished up with home schooling on the road. Zac, the drummer, however, is struggling right now. It's very difficult to stay focused when you're surrounded by music and friends 24 hours a day.
You are co-headlining Warped Tour this summer. What does that responsibility mean for the band?
Farro: We're just going to try and have fun. We're going to make sure we go out there and present ourselves better this time around. Our live show is going to be tighter and more energetic. We've worked a lot on transitions and making the show very entertaining for everybody.
Aside from the release of RIOT!, what else is to come for the future of Paramore?
Farro: We've talked a little about a DVD. We have to get a lot of footage on Warped Tour this summer before we do that. As for the fall, we are going to the UK to do some festivals and probably do a European tour after that. After that, who knows? We have yet to observe all of our options at this point.
Posted byLogan Lenz at 17:30 2 comments
Labels: Hayley Williams, Paramore, Paramore Interview, Rag Magazine, Riot
Too Much Mars Volta?
1.28.2008
It is important to begin with my proclamation of being a huge At The Drive-In fan. Having said that, I have been on The Mars Volta's side of the battle after the band's split. Sparta, in my opinion, are nothing to call home about. Deloused in the Comatorium, their debut album, was absolutely amazing. It was love at first listen. At the time, I was so relieved that the Mars Volta was just as good, if not better, than At the Drive-In.
It wasn't long after that the band released it's second record Frances the Mute. The CD was definitely a breath of fresh air - something unique and completely innovative. At the same time, however, some of the band's musical qualities were left behind; replacing therir overall musicianship with shock value.
Only a year later, the workaholics released Amputechture and a live album called Scab Dates. Scab Dates was excellent because the band is an entertaining and exuberant live force. Amputechture, however, seemed like it was produced by extraterrestrials. If I was unfamiliar with the band, I would have guessed the album was recorded on an intergalactic spacecraft. It was peculiar, yet still somewhat charming. They hadn't lost me yet. I was still intrigued.
Now, another year has elapsed and the Mars Volta are releasing The Bedlam in Goliath tomorrow. The album serves as the band's fourth full-length studio album, but the first sans Jon Theodore. Jon Theodore, for those unfamiliar, was the rhythmic drumming force behind the Mars Volta's intricate and sometimes overwhelming time signatures. Theodore made everything human and kept everything cohesive within the music.
The Bedlam in Goliath is sorely missing the presence of Theodore on this record. While the CD is straight-to-the-point compositions without much between song noise and nonsense, the music is lackluster. There are a few catchy, well constructed tracks on the record, of course, but it seems that the Mars Volta have fallen from their throne and have become "just another eccentric rock band."
Bedlam offers nothing special or out of the ordinary for avid Volta fans. If you were anticipating this record all year, you may want to reconsider purchasing it. Coming from a huge Mars Volta fan - I suggest the band take a little more time writing and crafting their tunes in the studio the next time around. This release has seemed to fall under my head, while the others have gone a little bit over.
Posted byLogan Lenz at 09:56 1 comments
Labels: CD Review, The Bedlam in Goliath, The Mars Volta
The Heath Ledger / Nick Drake Connection
Last Tuesday, Hollywood endured a heavy blow. Overwhelming at first, the news that Heath Ledger was found dead in his apartment at the young age of 28, took everybody by surprise. Nobody saw even hints of seeing it coming. Although the latest toxicology reports suggest that he may have died from "natural causes" (a heart attack to be precise) and not via an allotment of drugs, the bizarre and curious connection between him and the late folk-singer Nick Drake still leaves the case wide open with astonishment. Was Heath Ledger's obsession of the depressed singer self-medicating for him? Was it, in fact, depression that induced his shy and reserved personal attributes that led to his eventual death?
During interviews of his latest film I'm Not There - where he portrays Bob Dylan, Ledger revealed his "obsession" with Nick Drake. For those unfamiliar, Nick Drake was a singer-songwriter, whom was heavily burdened with depression throughout his career. Drake overdosed on anti-depressants at the young age of 26.
Similar to Ledger, Drake had a lengthy and prosperous career ahead of him. Having only put out a few albums and slowly gaining a reputable audience, Drake unfortunately never achieved a commercial following until very recently. It wasn't until Volkswagen scored a commercial with his recording of "Pink Moon" in 2002 that Drake began selling records.
Ledger's admittance of his attraction to Drake's story definitely leaves one with questions. Was his curiosity and admiration merely coincidence? It's a strong possibility that it was, but first let's delve a little deeper into their ties.
The strongest case that glorifies Ledger and Drake's similarities is Ledger's recently created music video for Drake's song "Black Eyed Dog." The video, which was produced completely by Ledger, depicts Ledger as the sole subject. At the video's close, Ledger turns the hand-held camera on himself and slowly drowns himself in a bathtub. The most bewildering and hair-raising aspect of this is that "Black Eyed Dog" is known as Drake's very last recording - allegedly recorded right before his death. The song is also known as being about dealing with depression.
Before you run to YouTube in hopes of finding this video, one must be aware that it has only been screened twice. The video received much praise and a few awards after being shown at two European film festivals. The video has yet to (and may never) leak onto the internet.
During the I'm Not There interviews, Ledger also revealed his intentions of eventually releasing a biopic of Drake's life and story. Although we may never see his version of the singer' s life, we are bound to see someone's attempt at reviving Ledger's dream in the future. We can also expect a piece about Ledger himself at some point down the road, for his life and death has impacted far more than one would think.
Ledger's career may have been brief and limited, but his future in film was looked upon as the most anticipated. Having accomplished what he did at such a young age in his first ten years in the business is miraculous. He was on track toward becoming one of the best actors in history. He will always be most remembered for his portrayal of Ennis Del Mar in the Academy Award winning Brokeback Mountain. After this summer, however, he will also be remembered for his upcoming role as the new Joker in the next installment of the Batman films - The Dark Knight - due out in July.
Posted byLogan Lenz at 08:40 2 comments
Labels: Black Eyed Dog, Heath Ledger, Nick Drake
Sullivan Interview
1.27.2008
only begun turning heads in the modern rock world. After being signed by Tooth and Nail Records, the band excitedly looks forward to their promising future. On June 5th, their debut full length album Cover Your Eyes will initiate and determine that future. Vocalist Brooks Paschal, guitarists Tyson Shipman and Jeremy Stanton, drummer Phil Chamberlain, and bassist Zach Harward are hoping to “take the world by storm.”
RAG: In your own words, how would you describe Sullivan’s music?
Paschal: For me, the word that I continue to use to describe the band is “tension.” I think that a lot of our music has a really cool tension to it. There is underlying darkness surrounding our music, but on the surface everything sounds so sweet and happy. That’s what makes it so interesting. There is this unidentifiable tension between those two elements. Musically, it’s very uplifting, but lyrically it’s pretty disturbed and out there.
Paschal: I think we really came to terms with our songwriting style on this album. Overall, it’s a really dark record. It sounds pretty angry and moody. It’s also an extremely honest record.
Paschal: It’s been really great! Everyone is so cool and the crowds have been amazing. We’re just so lucky to be surrounded by such great bands. We are learning a lot, and of course having a great time as well.
Paschal: It’s definitely different for us. For this record, we got off tour on Thanksgiving of last year. From then on, I completely shut myself off to the world to write. I wrote everyday for about a month. Tyson, our guitarist, had a bunch of ideas that he had brought to me as well. With this record, we really learned how to work extremely well together. We bounced ideas off of each other until we had the complete arrangements put together.
Paschal: As a band, it’s tough. How about if I base it off of live performance? Live we are very influenced by the band At the Drive In. Looking back at footage of that band live is just unreal. I think that’s what kids want these days. They want to see something live that they can’t feel on the record. They need something special. I think we provide them with that.
Paschal: It’s tough there, because
Paschal: I was nine when I started playing piano. I was a typical high school kid that wanted to play music and be the next Green Day, you know? I started playing in a band with the guitarist Tyson in 2000. Eventually, in 2003, we started Sullivan. We have been working really hard ever since.
What has been your greatest accomplishment as a band thus far?
Paschal: This record. It’s everything that we wanted. We didn’t have to cheat ourselves and we didn’t get cheated. Tooth and Nail gave us everything we wanted and we got an awesome producer, and we got our engineer. Everything was perfect. On a personal level, it has been a great achievement staying together as a band and keeping the drive alive throughout all of the good and bad times.
Paschal: We’ve toured with them a few times already, so that’s never out of the question. It never hurts playing in front of a couple thousand people every night, no matter the genre difference. We’re really good friends with those guys, so you never know what is to come. I’m sure we’ll tour again at some point.
Paschal: It’s awesome. I met (TWLOHA president) Jamie at last year’s Cornerstone Festival in
Paschal: I think all bands hope for the same thing. I hope that we tap into a success that allows us to continue playing music. We can only wish that our music reaches a ton of people. If we simply can keep playing music and are able to support ourselves along the way, we’re going to continue to work hard and do this until we’re forty. I can only hope.
Posted byLogan Lenz at 01:49 1 comments
Labels: Rag Magazine, Sullivan, To Write Love On Her Arms, Underoath
